Drawing is complicated, but art is simple. Drawing is complicated, because you want to find the mysterious meeting point between word and image. Mistakes are ubiquitous in mathematics, once in a while that's fun.
Who thinks to be funny for what is art for?
The wise man must sit on the hole in his theoretical canvas.
Both sides of the paper constantly intermingle and influence each other. Only collective intelligence must decide between congruent pictures. Inevitably a funny picture will be required to lose to an opponent. It's not its fault, it's art genetics! (it's increasingly clear that the nucleotide sequence has no actual biological role whatsoever)
The truth is more important than the facts (Frank Lloyd Wright).
Shongololo's theorem is just as wrong as all the other theorems, but easier to live with.
What do pictures know that we do not? All pictures in the internet are digital art pictures. The digital art paradox helps visualizing higher than three dimensions, because none can play the fool as well a wise man.
Art is a form of innovation curiosity that goes beyond the traditional boundaries of humor. Sensation and perception are not the same picture but playful artsy snails are alive, promoting the democratisation of a skittish subjective truth, lively and unpredictable; art is eveywhere.
At the forefront of alternate designs and old jokes, bad paintings cater to the lower tastes and desires of others or exploit their weaknesses.
The fine art ghost haunts every postmodernist website. That things are not always what they seem is illustrated by cartoons featuring absurd fairy birds.
No caterpillar ever dreamed of becoming a butterfly. Max Ernst, Writings on Art, there simply is no single "right thing". Artistic creativity is actually optimized by slight imperfections, as they allow one to visualize connections between different but related forms, drawing on Shongololo’s earlier painterly practice but reimagining his previous explorations in innovative ways. I think they open up questions rather than answering them and that’s the kind of vulnerable edge I’m looking for.
If you’re a creative person, it’s very easy to get side-tracked on side ideas when you really should be working on your main one. The greatest pleasure in life is doing what people say you cannot do. No object of any kind can be as hard to draw as a human being.
Shongololo idealism is a part of proof that art is useless but eveywhere. Minor errors that do not alter the conclusions drawn, but that are errors nonetheless. There is no hole in the theory, knowing that it's just as wrong as all the other theorems. Connecting the dots is pointless.
The screen of your computer can be proved having only one side, a picture is better as a question than an answer exploring the tensions and collaborations inherent in our turbulent digital age.
All art is form and all form and simplification, demonstrating the reality of simple forms behind appearances. Pictures are fragmented moments of art memories, lacking any center of gravity, subjective truth. Navigating an impenetrable landscape looks specifically at space as a metaphor.
We cannot be free of observed reality, without symbolic implications. You are equipped to puzzle out this tortuous visual poetry, bad poems make the webpage appear weightless, buried in the deep web, bad poems maintaining their singular position in fanciful and unseemly contemporary art.
Shongololo says he implements process changes to ensure that any errors are not repeated, thus leading to improved accuracy over time. Brushstrokes work to avoid any sense of a recognisable pattern. Hanging there, fuzzy as they all are, their precise role is to avoid any recognizable shape and to be utterly and truly abstract.