Others of course will have ideas, many better than your own.
"People who think they know everything really annoy those of us who know we don't".
Bjarne Stroustrup
I am trying to walk the line between these two approaches. Draw a conclusion and moves beyond time to lay out narratives that are specific to the fragility of our own times.
Everything considered, work is less boring than amusing oneself.
Naive you are, if you believe art favours those who aren't naive. The solution is to simplify dingbats for symbols encode reality. There is no evidence in the paper whatsoever, not even a tiny shred, that the visitors were having any problems.
Internet was once about sharing, altruism and utopia.
Too much care can sabotage your pictures.
Fascinating, but sad story.
Meeting the complex inhabitants of art web sites. Moving between figuration and abstraction, it is hard to be sure what abstract art is anymore in this goofy culture fed with lively pictures between art and life.
Once we have a good picture, that doesn't magically solve every problem. Maybe you know of particular folks who explore this idea through art. Don't put too much stock into silly made up syndromes.
Artist and muse in a flat world. Raw emotion, in place of the patient description of the real flat world. Goats have long been associated with lust and wantonness. Actors on screen speaking to each other are turned part way toward the camera. Strictly profile shots don’t have emotions.
Among the holes in the story was the identity of the gene that was involved in producing the dark-coloured moth variant. There is a further, satisfying twist to the tale.
Like many puzzles in number theory, the erdös discrepancy problem is simple to state but devilishly difficult to prove.
Everything considered, work is less boring than amusing oneself.
Because none can play the fool as well a wise man.
You don’t just give a moth four walls to live in. You give it something to be inspired by. Symbols for friendship.
Such silly artworks need to stop quickly before we fall down the rabbit hole entirely, and find things to fight back with. The solution is to simplify.
The starting point for many of my explorations about lines and space is in the fragility of lines.
Tiffany Loy, egg or chicken and visual economy in art
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