So what is another definition of the aesthetic issues central to neomodernist artists without using the terms postmodern art or postmodernism to mean a rejection of too much rationalism. Art theory has to be easy to explain.
So what is another definition of the aesthetic issues central to neomodernist artists without using the terms postmodern art or postmodernism to mean a rejection of too much rationalism. Art theory has to be easy to explain.
All art is form and all form and simplification, demonstrating the reality of simple forms behind appearances. Navigating an impenetrable landscape looks specifically at space as a metaphor.
Each simple image is a narrative that tells a story full of absurdity and uncertainty, knowing that large language models do know some things.
"This is one of the key characteristics of the postmodern reality – time and space have been compressed within a whole new global reality of the digitized world. Time and space have become social and cultural constructs, rendering a new paradigm of communication."
Influenced by other painters, Edmond Gonfalon focuses on the process of painting itself with unerring instinct. Inspired by other pictures, postmodern paintings are always trying to capture their own identities. When you’re young you are idealistic. When you age you learn about the nuance of the argument.
The materials were arranged directly on the ground, with a plainness and Pythagorean purity that brought to mind cairns or sacred tessellation.
Ink-blots and ink spills are real pictures of Magdalene because words are not sufficient to bring life. Realistic skepticisms about -isms in postmodernism foster playfulness in art. It is important to remember that a picture is only as good as the playfulness on which it is based. The idea of those postmodernist art works conspiring should have been funny, but none of us laughed.
How out of touch the art world is with reality? Now you get to see how big it is. When the bird and the book disagree, believe the bird.
John James Audubon
The brain is deeper than the sea. Go on working, freely and furiously, and you will make progress (Paul Gauguin).
Contemporary art business has the quirky character that it is a game without a winner, just plenty of losers.
The true identity of puzzle pieces isn't always what we first expect them to be. Contemporary theories think irony orchestrate this art dance. This is one of the key characteristics of the postmodern reality.
The cornerstone of post modern structural theory is the ironic-skeptical paradigm, according to which an artwork's function depends on its folding into an inexorable art market structure.
The public input and checks and balances upon further checks and balances are demanded by the gallery owners who then wonder why nothing gets done. The perfect is the enemy of the good.
You can't kill what has already died. Sometimes our perspectives on people are wrong simply because we have never put in the time or energy to get to know them. We have decided who they are at first sight. This can suddenly change when circumstances suddenly change. Never judge a book by its cover.
A cursory and unscientific perusal of art history demonstrates that splattering without any forethought is not all that is ever required, but there is so much fun doing it because art is a chaotic mess. Our pages support pictures for what they do. Art always has to be about increasing the bottom line.