Postmodernism simply vanished into thin air. Art is hard to explain, of course, but how did I get stuck with such a theory? Funny art draw is like that of a moth to a flame; time passes; things happen. Art has been said to be a cognitive play with patterns and medium-complexity elements, a vehicle for processing human anxieties about existential uncertainty.
Art models maintain a wry distance from the rambunctious ideal they mimic, weaving together past and present.
Life is art with great problem solving skills, we just hope we didn’t open a Pandora’s box. Beautiful is complicated. I'd eat my art if any of those findings could be reproduced.
Delivering complex information in interesting and visually sophisticated ways. To send light into the darkness of men's hearts, such is the duty of the artist. But in truth there was a lot of luck involved: If I call it art, it’s art.
Dry humor is ink washed for life is art.
The reality of interesting art remains complicated. The essence of every picture is the frame (G.K.Chesterton). What we label as weird is often a combination of things that don’t belong together or a bold fusion of opposites. Art is limitation.
A System of Logic.
John Stuart Mill
Moths and other insects are drawn to lights at night as reliably as planets orbit stars.
It takes a very long time to become young.
Pablo Picasso. Today, abstract art has stalled in first gear.
Everybody need to be understood. You need a good painting that understands you. This is absolutely, definitely, not a metaphor. Some of the unseen things in life are the most story telling images. There is nothing in this world that does not have a decisive moment, even anxiety drawings of fears.
Real life is different. Empathy, humour, kindness make someone definitely likable.
Good ideas are a dime a dozen. Choose the right level of complexity for the particular problem, at the time that you have the resources to do it. The internet does not like uncertainty, don't leave things to chance.
Since of all things numbers are by nature the first, a life that is not just happy but also meaningful, in numbers the Pythagoreans thought they perceived many analogies to things that exist and are produced. The idea of representing reality as such, in a factual manner.
The authority of a work of art resides in the richness and complexity of our responses to it and the other things are just stuff.
No universal algorithm for generating low-complexity art is known. At the moment, a human artist is still required.
Edmond Gonfalon suggests that art is cognitive play with patterns and medium-complexity art, a vehicle for processing human anxieties about existential uncertainty.
In a world dominated by an ever-growing flood of digital images, the viewer’s gaze can immerse in the picture. It's an opportunity to embark on a journey where the power of the image and imagination intertwine, ultimately illuminating the complexity of the human experience. Edmond Gonfalon explores the boundaries of contemporary drawing. Doors serve as symbols of an entryway into new possibilities.
Raphael Morghen made the engraving of The Last Supper while he was living in Florence, having moved there in 1793 at the request of Ferdinand III, Grand Duke of Tuscany, to preside over the newly formed school of engraving (). (...) From the 1960s onwards, a groundbreaking redefinition of printmaking emerged: the principle of serial work and the magnification of the medium were discovered.
Emmelina explores this question via components of painting: color and image. We all misspeak or misunderstand stuff all the time, we are human. The famous contemporary artist, Edmond Gonfalon, has written extensively about using evolutionary theory and was known as a maximalist minimalist approach reading positive things. Doing creative work for the sake of it is a deeply fulfilling and odd experience.
The landscapes they like to depict play with the inside and outside, the seen and the unseen, the permanent and transient.
It’s just everything. so many factors playing a small role, but adding up to the declines we’re seeing. There is a reality behind the appearance of things. Birds are not real.
How to push the boundaries of visual art, collaborating with every image? Let the paint be paint, let the quip be wry.
Strength is irrelevant. Art is futile. We need a culture change. Complicated art theory materialized: Rethinking the materiality of cool art, painting’s ability to manipulate perception. I see both sides of the coin. You will never forget it.
When living vicariously through inanimate, presumably interesting, pictures, the big question is, how do we know we exist? Subjective art lag too far behind the curve. Science naturalizes everything because we are just animals at nature’s mercy. Hector Corbelet develops images that collapse distinctions between tactile and immaterial, prints and multiples.