Art institutions seem to be presenting very different pictures of what matters now. The title "eat the weak" is a metaphoric mad skill.
It's time for the funny art industry to come up with a better reason for why we get up in the morning. There could be another benefit to blurring the lines between art and science, a full spoon of eccentricity. Because some contemporary paintings, insanely complicated, created an art filled with legions of human figures, mad spiders and postmodernist horses.
Separate the meaningful information from the random smoke that means nothing (but sfumato), but feed fear. The carpet of contemporary art must be really dome-shaped by the large number of awkward art works which have been brushed under it.
Art websites should morph over time, mad skill as a box of frogs.
Bottom line: Parerga and Paralipomena (Greek for "Appendices" and "Omissions").
Lazy pictures do everything tomorrow. Slowness is a way of life.
Interesting art is fickle.
Proportion determination in drawings is amazingly plastic. About an eccentric definition in arts, because fiction and fantasy let you be whatever you want. In short, traditional art amking may never recover.
John Stuart Mill
Outsider art is becoming increasingly conformist, repetitive, and sometimes outright boring. Parerga from our own crackpot theories is always interesting. Aluminium etching is the salt (copper sulfate and friends) of life.
Genuinly strong pictures don't blame something else for their bad moods. Why did our nature give us agility, if not to evade responsibility?
Aliens visiting art websites are unsure of exactly what art is supposed to mean. In fact, most of what you see is an illusion.
What is eccentricity if authenticity equals nuttiness? Lsets be adamantly real.
Pictures dream of freedom and individuality. An humorous picture with prestigious provenance (Arthur Schopenhauer expected it would be comprehensible). Instead of being three dimensional, space probably has more dimensions that are curled into little images too small to be detected except for eccentric artists.
This implicit and relational textual quality is ultimately a product of its narrative character. Although visual arts are created to fulfil needs, each also creates random things to look at. The writing adage ‘show, don’t tell’ applies. 写作格言“展示，不要说”适用。
Life on walls is imagination and mermaids are real, but this doesn't show that mermaids are bad at art. Lobster’s process is both painstaking and arduous.