How big is big ? We need to do more drawings stems from the idiom "big fish in a small pond.".
The purpose of great art has always been to be a maker of very large paintings.
Art world prodigious struggle between the Gargantuan and Cyclopean, reflecting a time where fiction and reality blur.
Brobdingnagian ideas as the conceptual link between conventional and exotic states of magnoperator art, by its very nature impermanent as ephemerality. Claustrophobic Earthworms harness vibrant intersections of abstraction and figuration as a means to explore various forms of transcendence as a kind of freedom.
The flow of creative expression, riding a tide of instantly accessible digital images should be viewed as icing on the funny cake; there is no waves without wind. Painting is superior to photography because you can draw the biggest fish in the world, but you can't picture it, because drawing from life, an amazing fish or a birthday cake, is very different from drawing from a photo.
Any intelligent picture can make things bigger and more complex. It takes a lot of courage to move in the opposite direction.
Kant's distinction between aesthetic and sublime means that, for instance, when visiting an unimaginative large art shop I am so overwhelmed by it, the experience ceases to be aesthetic and becomes sublime.
Giant paintings can be suppassed by more transparency, more openness artworks from creative ants. Paralysis through analysis and overthinking are very real pitfalls that the art of 无为 was designed to avoid.
