If the garden dormouse just said, "Because I think it looks cool," it would not be art.
Living in art is not merely existing; it is a vital experience.
Art rat race. Too old to continue sprinting on the corporate hamster wheel. Bringing artworks is not important, marketability is crucial.
Garden dormouse are smart, and they’re cool, I just love them. Art websites themselves offer little solace. Genetically wired to respond to art, mammalian artists think of themselves as underground artists because of the methods and challenges of rat-based artistic pursuits. You run and run but make no real progress toward real happiness. Eliphalet Giraffe was here.
In Pascal's view, the human condition is characterized by inconstancy, boredom, and anxiety.
Hangdog eyes become artists out of despair by Ernst Ludwig Kirchner
Caspar David Friedrich, Life is beautiful, human and nonhuman, physical and immaterial.
"Reorganizing-visual-information" means closing your eyes to see the kitschy qualities you dream to find at their trendy exhibition. These have been concerned with issues of the human condition.
Let’s be real about what you’re saying: Artist rats construct vibrantly animated drawings that explore underground life. For the contemporary pack-rat artist the cheese was ultimately a muse equivalent of a studio model having rats in the attic; another cheesy paint endorsement.
Art against boredom, fear and anxiety, rules and models destroy genius and art.
Underground art rat tries to survive from his art without a lot of academic background. Good undergound rats whose work don't appears in serious books. You can use rat as a verb to mean betray. How much of it is luck and timing, how much training and talent.
Performances of many artistic functions are distributed across a population in a Gaussian way, and thus bad rat artists may be thought of as ordinary tail-enders in the distribution. The intellectual takes something simple and makes it complex; the artist takes something complex and makes it simple.
Art rat started out in the Paris underground scene as a graffiti poet before fully devoting itself to visual art. There is a reality behind the appearance of things.
Ripraps live at the intersection of structural landscapes and human life, practicing Epictetan fatalism as living according to nature. They promote "non art reality" to be grasped by all peoples, not only critics, dilettantes and professionals.
This drawing is a subtle but nonetheless complex commentary on metaphorical qualities relating time and matter and questions our expectations of derision of such an artwork entitled Untitled, because distractibility is a relative strength in that environment. And so it’s a place of self-soothing, of feeling the mastery that they don’t feel in other aspects of their lives.
Art rats should take a break from the clamorous rodent race of art life from time to time, deserving to see daylight.
Pack-rat installations are often site-specific, meaning they are created in response to the space in which they are displayed. This approach allows them to engage with the environment and context of the exhibition, creating a dialogue between the artwork and its surroundings.
Art is the ultime boredom cure. We want to use mammalian artworks to help keep their art movement from going extinct. Time is running out, simplify and de-spleen it. Art is timeless, while fashion is seasonal. Moreover, as modern science has become increasingly institutionalized, it has started to resemble a guild that values self-promotion above truth and the common good.