For his painting of Helen of Troy, the Greek painter Zeuxis, unable to find any girl beautiful enough to serve as a model, inspected the teens of the city and chose out four, whose peculiar beauties he proposed to reproduce in his picture.
Zeuxis worked in Croton (Cicero was right) or Agrigentum (Pliny the elder was right). Being in two places at once like the electron of the quantic theory, Zeuxis was (apologizing for the metaphor) qubit-like and Helen an aesthetic upgrade of the average life model.
Georges Braque, "The egg from which Helen of Troy hatched"
Zeuxis attempted to create an ideal whole from disparate parts. Fixation on antiquity and mimesis is regarded as a particularly pernicious decadence. Brave pictures courageously come forward to report details of their ideals, Zeuxis having fun drawing people.
One can't paint Troy as it is, but rather as it is felt; sometimes maddening, occasionally inconvenient but always intriguing.
Why do most of the "end of the internet" pages have links on them? The story is not yet finished And I meet a lot of artists these days who believe in all kinds of adaptative perspectives.
The human image has never been forgotten in the arts.
Germaine Richier, Artistic hotbeds can communicate strong ideas and emotions.