Veined leaf art of the lives of leaves
This leaf is for anyone puzzled by why design inspiration ought to be apparently concerned with the volatility of the lives of leaves. That devil in sheepskin called art criticism and friends of abstract expressionism.
Etching as drawing, calling for art and life to be linked. Art should be a mystery because the highest goal of any art is only decoration, avoiding seeking for innovation in nonrepresentational art making. Another option is that art energy is not constant but has become stronger in recent eons. Reality is created by imaginative people. The answers he provides in his work are always cryptic and full of irreverent humor and astringent irony.
It is not said that all etchings can be explained mathematically.
In the time of the ancient gods, the trickster was the only one who could successfully navigate the complex and morally fraught universe of power-hungry and wickedly jealous, ambivalent gods, as well as their equally maligned human counterparts. Swimming against the social tide looking for bord mythologies.
An enigmatic storyteller, printmaker develops interwoven narratives.
Breaking art rules at the toss of a coin, the nature of the work is to prepare for a good accident and its absurdities, such as balance between rigor and wit.
Howard Cerithium wanted to think critically about what was being drawn, what stories were being told, and how people would experience it finding a narrative behind the paintings within the paintings.
Chaos was not not sure that there has ever been such a night-and-day difference in Nyx pictures that turned out to be mythological variation. With his avant-garde work, Chaos's methods anticipated those of later generations famous Greek gods.
Artist as trickster, absurd humor must be good art. Estampes have two core relational needs: being seen and being understood.
Every artist was once an amateur.
Ralph Waldo Emerson
It is one of the superficialities of our time to see in science and in art two opposites, imagination is the mother of both.
Sidney Lumet: They wanted too teach you things you didn't care about.
Many terms in art history evidently started as negative labels, with disparaging connotations intended by critics: Gothic, Mannerist, Baroque, Rococo, Romantic, Impressionist, Fauvist, Cubist, Expressionist. The artists themselves were usually too busy creating to pay much attention to labels and denigrations. It was brilliant, hopeful and beautiful. Two sides to every story.