Probability theory reduces the perception of uncertainty

The duck-rabbit quintessence of dust has to do with our paradoxical justifications of something we feel it's wrong for everyone except us to see it as an ambiguously funny thing.

In the internet, where paradigms and paradoxes mingle, beauty is not the difference between art and science. The female figure as an ambidextrous signifier: of motherhood, of sexuality, of comfort, of capability.

Ken Gun Min, who settled in Los Angeles after living in Asia and Europe, creates imagined landscapes rooted in specific local sites: Buena Vista Park, Runyon Canyon, and Silverlake have all appeared in his canvases, transformed into queer utopias.

Perception is a product of mental activity, because we see more with the mind than the eye.

Art curricula need to include more natural science with women reclining on a vividly upholstered wooden chair.

Scientific artist is a genre of artist that contains scientific content.

Objecthood is an issue for sculpture.

As an example, Curcio cited the paintings of gallery artist Daniel Gibson, a local, whose “lush, psychedelic landscapes” feature imaginary deserts and very real, embedded concerns about migration and borders.

Looking carefully is scopophilia. Contradictions, ambiguities and multiple meanings are the bones of art.

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