Paper is generally at the bottom of the two-dimensional art hierarchy, but pushmi-pullyu out of the woods evidence proves that logic doesn't exist.
Are pushmi-pullyu real? if ambivalence in flat worlds is so variable across the internet, how will we learn how pushmi-pullyu works?
If authenticity is the first step toward originality, pushmi-pullyu is facing hard times with inauthentic metaphors. The pushmi-pullyu often behave in ways that reinforce authenticity.
Marianne Moore's definition of poetry is "imaginary gardens with real toads in them."
Instinctive philosophy of human life.
What is important is to tolerate ambiguity because in the end there are no certain answers. How blurry the line between fiction and reality is when sailing away from the safe harbor on a birthday cake-boat? Words are but wind.
The amphisbaena had a twin head, that is one at the tail end as well, as though it were not enough for drawing from the origin of art to the real end of painting. They are joined by captions that likewise contribute to the resulting ambivalence.
Salvador Dali's birthday cake-boat, because real artists ship.
Artist and muse in a flat world. Raw emotion, in place of the patient description of the real flat world.
Images still think that their job is to convince the reader of how elegant and cool the art is behind the riddle. A majority of back-to-back pictures describe facts that turn out not to be true.