A loss of diversity, say, or a proliferation of the “wrong” kind of pictures — may predispose us to shallowness and a whole range of bad feelings, as well as slow artistic death. Artworks need to adapt, don’t try to be everything to everyone.
Artworks born from an idea exemplifies the spirit that brings such imagination to new insights into art explanation.
Adaptation requires to continuously look for new ways to do art and to learn technical tips. Fitness is a measure of the capacity of an artwork to survive and reproduce (regarding art prints and contemporary etching). The statistical significance of the etching can be estimated by using permutation tests to evaluate the significance of the partition's modularity.
What a boring world if we were all the same.
Are humans hardwired for equating equations with beauty ?
There are also many ways of seeing. Forget paintings, never forget spirits of things. Evolution is one of artistic life’s constants. New paintings emerge; old ones become extinct.
Aesthetic theory suggests that diversification of one into many art movements, each with distinct environmental roles, can affect art business, humorous critic statements and other aspects of art life.
From a purely biological standpoint, like etching techniques, the success of a partnership hinges mainly on one thing, reproduction.
New insights into the adaptive reuse of genetic concepts.
From a psychological perspective, silence and secrets are the most damaging. From an adaptive perspective, pictures are selfish, because evolution disfavors genes that promote altruism.
This page won't write itself.